Gay purr
Gay Purr-ee
★★★
Rewatched 29Jun
Tim Brayton’s review published on Letterboxd:
The combined talents of what remained of UPA by the early '60s and who had already shaken loose from the Chuck Jones unit at Warner's while it was still ongoing (which it ceased to do as a direct consequence of this feature: Jones co-wrote it, in violation of his contract with Warner's, and was consequently fired) means that this cannot possibly be unattractive to look at. And indeed, the film is intermittently a resourceful, experimental beauty, particularly in the background paintings, which combine the scruffy un-realism of UPA's glory days with a variety of aesthetics inspired by lateth Century Paris-based painters. Or some wholly other thing in the stunning red-and-silhouette approach to the villain song. The character animation is more of a mixed bag, uncertainly mixing and matching Slow Jones, classic UPA, and even some nods to the much less ambitious work starting to dominate on television (I really hate the kitten). But th
ABOUT THE DISC & RECORDINGS: Judy's only animated film is a delightful venture that features some stunning animation, and a wonderful score that reunites Judy with the songsmiths from The Wizard Of Oz (), composer Harold Arlen and lyricist E.Y. "Yip" Harburg. "Little Drops Of Rain" became on of Judy's personal favorites. And on a scant private occasions, she would site this as her all-time favorite. Long out of print, the album was finally released by Rhino Handmade Records in (see image below right). All images on this page from the collections of Scott Brogan and Eric Hemphill. Album cover restoration by "Alex in Belgium". Thanks Alex! | |||||||||||||||||
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